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Used Worldwide For Professional, Reliable
Dolby E, AC3, and DTS Encoding |
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Attie Bauw - Award Winning Producer and Mixer at Bauwhaus, Amsterdam |
| "Pro Tools and Neyrinck plug-ins are a winning combination. No hardware encoder/decoder comes even close. Using the decoder directly in Pro Tools is indispensable for anyone working in surround."(learn more) |
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Garret Farrell - Mix Engineer
Screenscene, Dublin |
Miguel Torres - Chief Engineer
Sonygraf, Barcelona |
Jonathon Lee - Mixer & Editor
NT Picture & Sound, LA |
| "SoundCode For Dolby E is working really well and so much handier than the outboard boxes! We encode the Dolby E file in Pro Tools, check it with the RTAS decoder, and send it off to our Online Dept for layback." (learn more) |
"We need realtime confidence monitoring when laying back Dolby E to video tape. With Neyrinck's SoundCode For Dolby E, all we have to do is put the decoder on an aux track in Pro Tools. It is very easy to use and very reliable." (learn more) |
"Our DVD clients manufacture thousands of DVD's at once and rely on us to encode the audio with no mistakes. We rely on Neyrinck's SoundCode For Dolby Digital and DTS because we can encode and then test the encode all inside Pro Tools." (learn more) |
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V-Mon - Monitoring For Pro Tools |
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Simon Leadley - Mixer & Editor
Trackdown, Sydney |
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| We record and mix music for film and the V-Mon is indispensable for creating and monitoring music stems. The ability to create an easy stereo down mix is absolutely brilliant! The fact that the whole Plug-In uses just a single Accel Chip is also super efficient. We have a separate Pro Tools system that interfaces to our speaker systems and is linked to the Mix system with Pro Tools Satellite system. It is an indispensable piece of Software for all Stages, Studios and Editors. I highly recommend V-Mon. (learn more) |
